• ​Raewyn Turner Full CV

2012

• Lecture Presentation: Symbiosis Conference, Real de Monte, Mexico. Re/sense a Cross discipline, Cross continent, Cross sensory collaboration, Raewyn Turner and Diana Burgoye via Skype.

• 'World Tree' featured on the cover of Digital Creativity (Vol 23 No 2) on the theme "Collaboration and Community".

• Peer Reviewer. HCI International 2013 Conference on Human-Computer Interaction

• ILLUSIONS. New Zealand Experimental Film, Martin Rumsby.

• Lucky expanded cinema. Art in the Dark, Auckland

• Hope Lost Signing Dance. Performance. InterACT Disability Festival, Corbans estate, Auckland

• Don't Look The Sky Is Violet. Installation at InterACT Disability Festival, Corbans estate, Auckland http://artsaccess.org.nz/whats-new/mojo-mathers-to-open-interact-2012

• Fragrant Earth 2012. Raewyn Turner & Brian Harris, Artweek at Satellite Gallery, Auckland.http://www.satellitegallery.co.nz/exhibition-archive/274-bgmerc-breathinggrowingmovingengagingreactingchanging.html

• Downwind. First Prize 2012 Art sculpture Awards.The Trusts, Waitakere

• Downwind. Raewyn Turner & Brian Harris, Satellite Gallery Welcome Exhibition

• Aroma Jockey, SENCITY music event, Auckland, New Zealand smell, taste, see and feel the music

• Stave Oh That I Had selected for 'High Voltage' (Dutch: Onder hoogspanning, Ger: Unter Spannung)Manifesta 9 http://manifesta.org/ parallel events (http://www.paralleleventsm9.eu/) 'De Mijlpaal' (Milestone) Art Gallery (www.demijlpaal.com)

• Stave Oh That I Had screened at MuVi3 Fourth International Synaesthesia: Science & Art.

• Stave Oh That I Had selected for DVD and Book MuVi3: International exhibition of video and moving image on synesthesia and visual music, Fourth International conference Synaesthesia: Science & Art, 9-12 February, Palacio de los Condes de Gabia (Granada, Spain) and Almeria University. http://muvi-visualmusic.tumblr.com/ http://muvi-visualmusic.tumblr.com/selected%20video

2011

• Presentation and screening Take My Shoes: Expanding Documentary XIIIth Biennial Conference Auckland University of Technology

• Artists Residency at the Monell Chemical Senses Center, Philadelphia, USA www.monell.org

• Presentation of Creative Projects to Science community, Monell, USA

• Raewyn Turner and Dr Daniel Reed, Olfaction: from Anatomy to Art, series of lectures to students age 16 to 19 at Springside Chestnut Hill Academy in Philadelphia. www.sch.org

• Fulbright Travel Award, artist residency with Monell Chemical Senses Center, USA

• Raewyn Turner and Dr Richard Newcomb, Presentation of PLUME Govett-Brewster, New Plymouth for SCIENCE MEETS ART Olfactory and sensory scientist.

• Aroma Jockey, Sencity music event in New Zealand smell, taste, see and feel the music http://www.youtube.com/watch?v=7GzjrOhE_ZY

• Raewyn Turner and Dr Richard Newcomb, Art/Science Presentation AUT Creative technologies collaboration and PLUME project, Auckland

• Raewyn Turner and Dr Richard Newcomb, art and science presentation of PLUME to CNZ and MSI Smash Palace Forum, Wellington

• ReSense New Zealand Academy of Fine Arts, Then, Now, When. NZAFA summer art show: The exhibition poses questions about New Zealand identity through its history of art Review: Mark Amery. ReSense NZ Academy Fine Arts, 2011. 36-new-noises-from- the-academy http://www.thebigidea.co.nz/news/columns/mark-amery- visual-arts/2011/mar/82936-new-noises-from-the-academy

• Artist Presentation New Zealand Academy of Fine Arts

• SCANZ 2011: Eco Sapiens International Artists Residency, Selected Creative Residency Project: PLUME.New Plymouth, NZ http://www.intercreate.org/scanz-2011-ecosapiens

• SCANZ 2011: Eco Sapiens Hui/Symposium, Owae Marae, Waitara, Taranaki: Project Presentation PLUME 4000 varieties of Orange

• Raewyn Turner & Brian Harris, PLUME: 4000 Varieties of Orange. Presentation Govett Brewster Gallery, New Plymouth

2010

• Cycle Engines, Imagine: The Night Gallery le petit cinema Film screening series curated & presented by Martin Rumsby in association with the Depot Artspace & Satellite Gallery http://thenightgallerynz.blogspot.com/

• Sweatshirt. Raewyn Turner & Diana Burgoyne, Performance and presentation closing event: LIVE. REPEAT. PLAYBACK, St Paul St Gallery. Aug 27

• ONFILM Sept 2010 NZ Screen Production Industry Magazine. NZ Film Artists in brief-a series: Raewyn Turner http://issuu.com/mediawebnz/docs/emag_onf0910

• Exhibition:ReSense at MIC Toi Rerehiko, Auckland, NZ. Raewyn Turner & Diana Burgoyne, Canada. Review :When art, smell and technology collide Mac Planet - NZ Herald News http://www.nzherald.co.nz/mac-planet/news/article.cfm?c_id=1502175&objectid=10680003

• Screening of Lucky Triangle Stratos TV NZ Documentary, Friday 3rd September

• Raewyn Turner & Dr. Richard Newcomb, Co-host Multisensory Perception online discussion on YASMIN, a network of artists, scientists, engineers, theoreticians and institutions promoting communication and collaboration in art, science and technology around the Mediterranean Rim. The YASMIN mailing list was made possible thanks to ISOC (Internet Society), The Rockefeller Foundation, Leonardo/OLATS, The University of Athens, Artnodes - UOC Barcelona and all the coordinators from the "YASMIN Group". It is co-sponsored by the DigiArts Programme of UNESCO. http://www.media.uoa.gr/yasmin/

• Peer Reviewer ICDVRAT/ArtAbilitation 2010: Helping Through Art, 2010. http://www.icdvrat.reading.ac.uk

• Tasting the Digital, Internettraces: Experimental Integrated Data Work. Performance at Sensory and Consumer Science Laboratory, Plant and Food Research.Collaboration with Mary Griffiths, Head of Media, Adelaide University, Australia.

• Tasting the Digital, Internettraces: Experimental Integrated Data Work. Performance at Original Orifice : Where Art Collides, Auckland.Collaboration with Mary Griffiths, Head of Media, Adelaide University, Australia.

• Fragrant Earth, Environmental Art Installation, Art in The Woolshed 2010, Commissioned by Tawharanui Open Sanctuary

2009

• Re/Sense: Interactive Futures’09: Stereo IF’09:Stereo), Intersections. Digital Studios at Emily Carr University of Art +Design, Vancouver http://www.interactivefutures.ca/

• PLUME Art + Science Collaboration with Richard Newcomb. Crossing Wires: 3 week installation performance, K Rd, Auckland (Smash Palace support) http://www.crossingwireslab.tumblr.com/

• One Minute for One, series of 40 x one minute performances for an audience of one of Pick Up Styx2, Auckland Heritage Festival

• SMASH PALACE Art Science Grant for 1st Stage PLUME Art + Science Collaboration with Richard Newcomb. Smash palace is a partnership between Creative New Zealand and the Ministry of Research, Science & Technology to foster collaborations between New Zealand scientists and artists.

• Re/Sense : MuVi at the Parque de las Ciencias , Third international Congress on Synaesthesia, Science and Art, Granada, Spain 2009 (CNZ travel grant support) http://www.sinestesia2009.info/, http://www.artecitta.es

• Artist Presentation: Re/Sense Raewyn Turner Third International Congress on Synaesthesia, Science andArt, Spain

• Artists Residency Raewyn Turner & Diana Burgoyne. Re/Sense : collaboration with electronics artist Diana Burgoyne Banff Fleck Fellow (Canada), Co-Production with the Banff New Media Institute 2nd Feb

         http://www.resenseresense.blogspot.com/

• Music Drawing, The Collected Works of T S Spivett, Larsen,Reiff.

• Metro magazine Article June 2009: Raewyn Turner by Frances Morton , Arts Editor/Staff Writer

2008

• Masters in Art and Design with First Class Honours, AUT, New Zealand

• Kate Edgar Educational Charitable Trust Award

• Lucky "Art in the Biotech Era" ,Experimental Art Foundation, Australia, publicationhttp://www.eaf.asn.au/aitbe_about.html

• Panel and Workshop Luminous Green, FoAM Media Lab, ISEA http://www.luminousgreen.org/

• Presentation Pick Up Styx, in Corporeal Interfaces (Chair: Margaret Tan) the academic conference at ISEA2008 in Singapore, the International Symposium on Electronic Art initiated in 1988, (CNZ travel grant support) http://www.isea2008singapore.org/

• AUT Faculty Design and Creative Technologies Research Excellence Scholarship (Art & Design)

• Perfumes for Fear. The Aotearoa Digital Arts Reader: Solar Circuit Aotearoa New Zealand, Lane, Clothier. Edited by Stella Brannan and Su Ballard, publisher:Aotearoa Digital Arts and Clouds.

2007

• Presentation: ‘Multisensory Concerts’ Scenofest, Prague Quadrennial 07, Czech Republic, 19.6.07

• OBJECTive Art Award Exhibition, Manukau Arts, Auckland

• Smell Research: M Jean Kerléo, L’OSMOTHEQUE Perfume Museum at Vesailles; Firmenich, Geneva; Exhibition and presentation, meeting with Louis Bec, Prague, Luca Turin, London. Trip supported by CNZ and CTL at AUT

• Participated in CIANT and TranSiStor Game Modifications and Machinima Films, 4 – day intensive workshop, Prague, supported by CIANT

• Prague Quadrennial 07 Indications: a translation of music into chocolate, installation, Selected for the New Zealand National Exhibit of Performance Art/Design, 11th Prague Quadrennial of Scenography and Theatre Architecture 2007, Prumyslovy Palace, Prague. A cross disciplinary approach to performance media; lighting, sound, projection, set design, costume, sensory, surface] body and space. Curated by Tracey Collins and Sue Gallagher. http://www.divadlo.cz/art/clanek.asp?id=12356

• Generic Processes Based On Spatial Interpretation of Music Collaboration with Mirjana Devetakovic Radojevic, School of Architecture, University of Belgrade, Generative Art Conference, Department of Architecture and Planning, Politecnico di Milano University published at www.generativeart.com as a PDF file.

• Indications ' and ‘Four Senses Multisensory Concerts’ Second International Congress Synaesthesia, Science & Art, 28thApril-1st May, Granada, Spain. Conference and MuVi http://www.sinestesia2007.info/ video in MuVi http://www.sinestesia2007.info/modules/tinyd1/index.php?id=8

• AUT Faculty Design and Creative Technologies Postgraduate Full Fee scholarship (Art and Design)

2006

• LUCKY products for gamblers, Generative Art Conference, Milan 13-15 December 2006. Department of Architecture and Planning, Politecnico di Milano University http://www.generativeart.com/.

• ‘World Tree ‘ Rencontres Internationales Paris/Berlin, Centre 23rd of November to the 2nd of December 2006 in Paris at Jeu de Paume, the French Cinémathèque, the Théâtre Paris-Villette, the Cinéma l'Entrepôt, the Cinéma du Monde, and in 3 cultural institutes, and Georges Pompidou Center http://www.art-action.org/en_info.htm

• Visiting Lecturer –Multidisciplinary Artist- 5100 3 week intensive Multidisciplinary Course, Unitec

• Presentation Perfumes for Fear: No.1.GREEN , Govett Brewster Gallery, New Plymouth: Scanz Artists Presentations

• SCANZ Solar Circuit, Polar Circuit, International Artists Residency,WITT, New Plymouth, NZ http://www.scanz.net.nz/artists_nz.html

• Sound/Bodies, Presentation Intersensory Translations. Winter Forum Artists Talks, John Cousins, Raewyn Turner, Richard Nunns ‘What Sound Does A Colour Make?’ Govett Brewster Gallery, New Plymouth

• Presentation of work: AUT 3rd year Spatial Design

• Progam Committee Member, Peer review, ArtAbilitation Conference: Helping Through Art, 2006, Performance Arts Centre, Musikhuset Esbjerg, Denmark. http://www.icdvrat.reading.ac.uk

2005

• 4th CVS Summer School on Animal Navigation and Robotics, Centre for Visual Sciences, Research School of Biological Sciences, National Institute of Bioscience, Australian National University, Canberra

• Generic Processes Based on Spatial Interpretation of Music, 2002. Paper presented at: Second International Congress Synaesthesia, Science & Art April 2007 Granada, Spainhttp://www.artecitta.es/II%20Congreso.htm

• Vodafone Digital Art Awards, net art, Worldtree collaboration with Colin Beardon. World Tree and Littoral ( work in progress):http://www.cs.waikato.ac.nz/~cbeardon

• Graphite 2005 and ACM Siggraph Conference on Computer Graphics and Interactive Techniqueshttp://www.cs.otago.ac.nz/graphite/

• World Tree 11 International Festival of Electronic Art 404, Rosario, Argentina

• Auckland Arts Festival, Gleem Festival “The sky is Everywhere” triangle of light, perfume and sound, 3 new mini Cooper cars sponsored by BMW, sound by Daniel Newnham, UK

• Screen Innovation grant $25,000 towards creating a 15 minute experimental documentary on Lucky

• World Tree, Time in Jazz “Digital Trance”, Sardinia, Italy, curated by Giannella De Muro, Random Magazine 2005/8/11 http://www.timeinjazz.it/photogallery.php

• World \Tree featured on front page Neural.it http://www.neural.it/nnews/worldtree.htm.

• New World Chaos, Artstation, Auckland ’PeaceLinen’ Practical Activism, drawings and writings on bedlinen on beds of honeycomb

• ENZOLOGY: FRENZY Episode 5, the Story Of Split Enz produced and presented by Jeremy Ansell for Radio New Zealand National. feed://www.radionz.co.nz/podcasts/enzology.rss

2004

• Biotech Art workshop. Adelaide Arts Festival, Symbiotica and Experimental Art Foundation, Australia

• NZ Film Festival, Homegrown Documentary, ‘peoplesheep’

• New Alchemists Recycled Art exhibition, NZ, Australia. ‘unmentionables’ g-string garment made from artifacts from the Great Depression era, with smell element of a copy of a luxury perfume and mold.

• ‘Lucky’ Art, Culture and Biotechnology, publication Experimental Art Foundation

• Digital Artist in Residence, Screen and Media,University of Waikato

• Presentation of Lucky Project, Expanded Documentary Conference, Victoria University,Wellington

• ‘Seventies’ Te Papa Museum of New Zealand, Painting: Split Enz album cover,’Frenzy’

• Four Senses documented in Interactive painting an evolving study to facilitate reduced exclusion from classical music concerts for the deaf community. A Lewis-Brooks. Proc.5th Intl Conf Disability, Virtual Reality & Assoc. Tech., Oxford, UK

2003

• 'On Smell', the third issue of Performance Research, Vol.8, Nos.1-4, Performance Research, Dartington College of Arts, UK, “Example Olfactory Translations and Interpretations” http://www.performance-research.net. This issue of Performance Research explores the body and the senses in performance in four related issues. It is jointly edited by R. Gough, (editor and co-founder of Performance Research) and guest editor J. Christie, Executive Producer, both of the Centre for Performance Research/University of Wales, Aberystwyth, UK.

• Presentation: SPARK FESTIVAL Organised by the Media Arts Creative Industries Research Centre at the Waikato Institute of Technology.

• ‘Dance and the Senses’ Workshop: Unitec Tertiary Dance Festival

• ‘ Multidisciplinary Collaboration’Presentation:: Unitec, 3rd Year Dance

2002

• Short Fuse Screenings, Classic Cinema, Auckland. video : Turn and Run

• Generative Art Conference GA2002 Milan 11-13 December Spatial Forms Generated by Music — The Case Study. Collaboration with Mirjana Devetakovic Radojevic, School of Architecture, University of Belgrade, published at www.generativeart.com as a PDF file

• ST@RT_UP: new interactive media, Te Papa Museum of New Zealand, Wellington, July 2002 -Jan 2003. Video: Cycle Engines, Water

• APRA Audio Visual Commission: Video interpretation of Neil Finn’s song ‘Turn and Run’ which opened APRA Silver Scroll Music Awards, Auckland

• Presentation Lucky -- work in progress DOCUMENTARY MATTERS, Screen Directors Guild, Auckland

• MiC, exhibition, Sonnet 1.6.02 by Raewyn Turner, [phage] by Mary Flanagan (Canada)

• 4th annual VANCOUVER VIDEOPOEM FESTIVAL ‘More Than Words’, Vancouver, Canada November 14 - 16, 2002

• False Emotions, International Group Exhibition at the Kunstbunker Tumulka, Munich, November 2002. Installation: multisensory ‘Breath’, olfaction-only work: ‘LUXURY. False Emotion Documentation: ’http://www.false-emotion.de/FalseEDoku.pdf

• Installation: Out Of The Dark, group exhibition light artists, ASA Gallery, Auckland

• The Banff Centre ‘Up Front and Personal’ Thematic Residency, Media Visual Arts, Banff, Canada. Supported by The Banff Centre, the Tindall Foundation, and Ray Turner

• ‘Four Senses’ Multisensory Concerts multisensory concerts for all abilities with the Aotea Youth Symphony, Touch Compass, Hands signing Choir and Kaitlin Smith, visuals in collaboration with Tony Brooks, Dorothy Winstone theatre, Auckland. Documentation:MultisensorySpaces

         http://netzspannung.org/netzkollektor/digest/02/?lang=en#Events

• 15th fAf fineArt forum Anniversary Travelling Screening Program, fineArt in motion has been screened at:

• 4th international art-sci symposium, organized by Art & Science Collaborations, Inc. (ASCI)

• e-phos 2002: 4th International Festival of Film & New Media, Greece (25–30 Sept 2002)

• 7th Malaysian Video Awards, Malaysia (5 Sept 2002)

• 3Muestra Internacional de Videoarte Cartagena/Barranquilla, Columbia (16 Aug 2002)

• 6 Festival Internacional de Video/Arte/Electronica 2002, Lima, Peru (13 Jul 2002)

• de Video/Arte/Electronica 2002, Lima, Peru (13 Jul 2002)

• Media Resource Centre, Adelaide, Australia (30 Jul 2002)

• Incubation 2, The 2nd trAce International Conference on Writing and the Internet, Nottingham, UK (15–17 Jul 2002)

• The Substation: A Home for the Arts, Singapore (20 Jun 2002)

• Videotage, Hong Kong (21 Feb 2002)

• 4th Annual Art in General Video Marathon, New York, USA (12 Jan 2002)

• Digital Media Festival 2001, Manila, Philippines (9 Oct 2001)

• Multimedia Art Asia Pacific Festival, Brisbane, Australia (Oct 2001)

• Smell Art. The Holiwater Project. Splore Festival, Waharau, New Zealand

• Board Member, Moving Image Centre MiC, Auckland

• Presentation: “Sonnet 1.602” ‘Documentary Matters’, Screen Directors Guild, Auckland

• Presentation: Multisensory Environments: Unitec, 3rd Year Design students

• Lecture: Coloured Light: Unitec, Dance School, Auckland

2001

• MAAP Festival, Brisbane, Australia

• IOTA Salon, November Screenings, LA, Calif

• VIDEOTREE, Firenze, Italy. Video: Sonnet 1

• HiFi, MiC Gallery, performance collaboration with Mark Harvey, Auckland, artist, and Peter Ford, hypnotist,Auckland

• 15th fAf fineArt forum Anniversary Travelling Screening Program

• ‘Electronic Painting’ Video Space, Metro Arts, Brisbane, Australia

• Solo Exhibition MiC Gallery, Auckland, ‘Water and Breath’ video, sound, smell: Water, Breath, Imagine

• Artists Presentation Ignite 2001 Digital Media Symposium, MiC and The British Council, Auckland

• INTERDIGITATE ‘Untampered Original’ by Morag Brownlie, SCARPA theatre, Auckland

• Short Fuse Screenings, Classic Cinema, Auckland. Video: Cycle Engines

• Presentation: Eden Arts, Maungawhau/Mt Eden Community Arts

• Presentation: Ignite Festival2001, Digital Media Symposium, MiC and The British Council, Auckland, New Zealand

2000

• INTERSENSES AND NEW TECHNOLOGIES: Artists Presentation Video, Light, Sound. “INTERSENS;correpondances & nouvelles technologies”, Laboratoire Musique et Informatique de Marseille, MIM in collaboration with Electronic Music Foundation, New York, Leonardo (MIT Press Journals), and Laboratoire de Neurocybernetique Cellulaire. PDF L’Video, Light, Sound’ http://www.labo-mim.org/pdfintersens/Turner.pdfSupported by Ambassade de France en Nouvelle-Zeland

• MUSEUM OF CONTEMPORARY ART LOS ANGELES, November. Freewaves 7th Festival of Experimental Media. Los Angeles. Video: Cycle Engines

• Louis Vuitton Ball, Americas Cup Celebration, Olfaction installation

• Design and implementation of multisensory environment of video, light, sound, smell APRA SILVER SCROLL MUSIC AWARDS

• ANAT ALCHEMY: International Masterclass for New Media Artists and Curators, Brisbane Powerhouse, Brisbane, Australia.

• Solo exhibition. PETERS MUIR PETFORD Gallery, Auckland, paintings

• THROUGH THE LOOKING GLASS - Digital Creativity at the Turn of the Millenium, Curator: Patrick Lichty: Beachwood Centre for the Arts, Beachwood, Ohio

• DELIGHT light works, Artstation, Auckland

• RENCONTRES DU 13 AVRIL - LIFE IN SPACE, Leonardo/OLATS, OURS Foundation and the International Academy for Astronautics -Paris

• SHOMEIDO GALLERY, Tokyo, Japan

• RADIATOR DIGITAL ARTS FESTIVAL with Active Ingredient, CODA, TRAMPOLINE, Hockley, Nottingham

• REAL vol. 3, Co-exist exhibition Tokyo, Japan

1999

• Conceptual Artist ‘Four Senses’ multisensory series of concerts, Auckland, Aotea Youth Symphony Orchestra, Designed, directed and operated light and smell. Avondale College Theatre, Auckland

• ‘Breath’ collaboration in light and dance, 3-minute TV RAD, Choreographer Mary Jane O’Reilly.

• ‘Romeo And Juliet’, ‘Crater Dance’, season of dance performance

               Auckland Ballet, Bruce Mason Theatre, Auckland. Choreographer Mary Jane O’Reilly.

• REAL vol 3, Co-exist exhibition in Tokyo, Japan

• Virtual TART,‘Exhibition 1999’, Keio University, Shonan Fujisawa Campus, Tokyo

• Heads You Win, Luck Fun Gallery, Auckland

• 100 x 100 Exhibition, McPherson Gallery, Auckland

• A5 Minor Masterpieces, Luck Fun Gallery, Auckland

1998

• Solo exhibition Archill Gallery, Auckland, New Zealand

• Group Show, Warwick Henderson Gallery

• Pin Ups. Drawings Gallery

• Molly Morpeth Canaday Art Award, Whakatane

• Norsewear Art Award, Waipukarau

• Artists For Tibet, Luck Fun Gallery, Auckland

• 10 Plus10Celebration Exhibition, Warwick Henderson Gallery

• Multimedia Exhibition, Luck Fun Gallery, Auckland

• Wallace Art Awards, Wallace Trust Gallery, Auckland

• 100 x100 Exhibition, Drawings Gallery, Auckland

• A5 Minor Masterpieces, Luck Fun Gallery, Auckland

1997

• ENZSO. Designed and Directed Lumia for season of perfomances in Australia. Adelaide Symphony \Orchestra,Youth Choir,Eddie Rayner,Split Enz

• Molly Morpeth Canaday Art Award, Whakatane

• Windsor and Newton Art Awards, New Zealand

• North Shore City Art Awards, Auckland

• Birkenhead Art Awards, Auckland

• Women At the Aotea, Auckland

• 100 x 100 Exhibition, Drawings Gallery, Auckland

• Group Show, Warwick Henderson Gallery

• Group Show, Soliloquy,Auckland

1996

• ENZSO, Designed and Directed Lumia for season of performances in N.Z. with New Zealand Symphony Orchestra, Youth Choir, Eddie Rayner, Split Enz, Sam Hunt.

1995

• Solo exhibition Gregory Flint Gallery, Auckland, New Zealand

• Solo exhibition Test Strip, Auckland, New Zealand

• Album Cover Painting, ‘Horse’, Eddie Rayner

1994

• The Ida Eise Award, ASA Gallery, Auckland

1993

• Melbourne Contemporary Art, Melbourne, Australia

• Third International Art Fair, Melbourne

1992

• Celebrating Ten Years of Independent Artists, Roar, Melbourne

• Homage To Spain, Melbourne Contemporary Art Gallery, Melbourne Art Festival

1990

• Bad Mothers, Tin Sheds, The University of Sydney, NSW

• Elam Group Show, Artis Gallery, Auckland, New Zealand

1989

• The Twelve Days Of Christmas, Austral. Centre For Contemporary Art, Melbourne

• Heidelburg and Heritage, 9”x5” exhibition, Linden Gallery, St. Kilda, Melbourne.

• Watermarks, Landmarks, Centre Gallery, Queensland, Australia

• Shire of Eltham Art Awards, Eltham City Art Gallery, Melbourne

• Bad Mothers, Reconnaissance, Melbourne

1987

• Bad Mothers, Founding Member, Melbourne, Australia.

• Solo exhibition Niagara Galleries, Melbourne, Australia

• The Roar Portrait Show, Roar Studios, Melbourne

• Caltex Art Awards, New Zealand

1988

• National Women’s Art Award, The Centre Gallery, Queensland

• Summer Salon, Roar 11, Melbourne

1986

• Raucous, Roar Studios, Melbourne Spoleto Fringe Festival

1984

• Artist In The Community, full time employment for the Community Education Advisory Committee, which formed the ACKDA Program (Arts In The Community in the Kew, Deepdene area), Melbourne.

• Murals: Glendonald School For Deaf Children, Kew.

         Sacred Heart Primary School, Kew, Melbourne.

• ‘Danceworks at The Church’, The Australian Contemporary Theatre, Melbourne. Lighting Designer and Mechanist, Director Nannette Hassle

• Lighting Designer, Lighting Director ‘Odyssey Of A Prostitute’ written by Jack Hibberd, at the Australian Contemporary Theatre. the Church., Directed by John Ellis

• Designed and painted sets, Designed and Directed Lighting.Vince Jones And Quintet Jazz Performance. The Melbourne Concert Hall, Victorian Arts Centre, Melbourne

• Consultant Designer-stage sets and lighting:

               Mental As Anything, contemporary music performance

               Melbourne Symphony Orchestra, Melbourne Concert Hall

              ‘Ticks In Hell’, Universal Theatre, Melbourne

1983

• ‘Black and White Closet Series’ La Mama, Melbourne, theatre set and Lighting Designer, and Mechanist for season of plays, Directed by Martyn Christmas.

• ‘Stuck’ Book cover painting, A. Turner ( no relation), Published by Penguin Books

• Paintings for film sets, Melbourne, Australia.

• On The Road Diary, Rip It Up, September, Raewyn Turner

• Essay, Raewyn Turner, Stranger Than Fiction, Editor Mike Chunn, New Zealand

1981

• Women In Art, Auckland, New Zealand

1982

• Visual Dimension. Sonic Magazine, Australia. Raewyn Turner

• Solo exhibition Denis Cohn Gallery, Auckland, new Zealand

1980

• Solo exhibition Denis Cohn Gallery, Auckland, New Zealand

• Designed and Directed Lights for International and Local artists- three day, contemporary music festival

              Sweetwaters Music Festival, N.Z.

• Sydney Morning Herald Art Awards, Sydney, Australia

1979

• Album Cover Painting, ‘Frenzy’, Split Enz

• Hertford Society of Arts, England

1978

• National Bank Art Awards, New Zealand

1975-1983

• Stage Lighting, Stage Set Designer, Lighting Director., Lighting Operator for Split Enz. Toured extensively Australia, New Zealand, Britain, Europe, USA, Canada

             Awarded Gold and Platinum albums A&m Records

             Live Performances Recordings: television, films, video, including

             Sight and Sound, BBC, London

             Live In Concert, MTV Television, Hamilton, Canada

             Nightmoves-Split Enz, Channel 7, Melbourne, Australia

            Split Enz Live at The Regent, 1982, Sydney, Australia

1973

• ASA Portrait Competition award, Auckland Society of Arts

1972

• Arts Council; Grant, Queen Elizabeth 11, Arts Council, New Zealand

1971

• Selected to attend First national Bank Art Workshop, Wellington, New Zealand

• Department of Education Art Workshop Touring Exhibition.